The New York Times – Film:
This month’s selections include a period sci-fi/action hybrid, low-budget domestic puzzlers and a mega budget, yet overlooked, time-travel spectacle.
The New York Times – Film:
This month’s selections include a period sci-fi/action hybrid, low-budget domestic puzzlers and a mega budget, yet overlooked, time-travel spectacle.
The New York Times – Film:
With “The French Dispatch,” the director’s latest, yet another American artist falls under the country’s spell. The Times’s Paris bureau chief recalls when the same thing happened to him.
The New York Times – Film:
Joanna Hogg is the rare director to be given the greenlight for a two-part drama about finding her own voice. She’s only been thinking about it since 1988.
The New York Times – Film:
With this new installment, the found-footage franchise incorporates Covid-19, Amish country and too many cameras.
The New York Times – Film:
In the director Robert Clem’s documentary about gospel quartets and their undeniable influence on rock ’n’ roll, Sister Rosetta Tharpe has competition.
The New York Times – Film:
A high-ranking Nazi leader attempts to whitewash his legacy in this disturbing, if single-note, documentary by Vanessa Lapa.
The New York Times – Film:
In the sequel to her art-house favorite “The Souvenir,” Joanna Hogg picks up the story of a young woman’s journey to becoming an artist.
The New York Times – Film:
This atmospheric and grisly horror movie from Malaysia sees a single mother and her children rattled by the arrival of mysterious strangers.
The New York Times – Film:
Amanda Seyfried stars as a young mother suffering from postpartum depression in Amy Koppelman’s weepy adaptation of her novel.