The New York Times – Film:
A landmark of New Wave cinema, “The 400 Blows” brought her enduring global attention. She later appeared in “La Cage Aux Folles” and “Amélie.”
Category: France
-
A Reporter Shares His Secrets to Covering the Cannes Film Festival
The New York Times – Travel:
Kyle Buchanan, who has attended the annual launchpad for Oscar contenders in France since 2013, subsists on Red Bull and around four hours of sleep.
-
A Reporter Shares His Secrets to Covering the Cannes Film Festival
The New York Times – Film:
Kyle Buchanan, who has attended the annual launchpad for Oscar contenders in France since 2013, subsists on Red Bull and around four hours of sleep.
-
At the Cannes Film Festival, French Cinema is Front and Center
The New York Times – Film:
Frenchness is a common theme among the films selected to open the festival. The opener also premieres in hundreds of theaters across France the day the festival begins.
-
‘Two Pianos’ Review: Striking an Odd Chord
The New York Times – Film:
The filmmaker Arnaud Desplechin directed this off-kilter drama about a French pianist and the life he left behind.
-
5 Resistance Museums Recall the Bravery of ‘Ordinary People’
The New York Times – Travel:
For many visitors to these European museums, the acts of those who opposed Nazism and Fascism have become newly relevant.
-
Nathalie Baye, Versatile and Admired French Actress, Dies at 77
The New York Times – Film:
In films like “Day for Night,” “La Balance” and “The Return of Martin Guerre,” she was adept at portraying sensual, reflective or excitable characters.
-
March LA.B is a Watch Brand With a Decidedly French Swagger
The New York Times – Fashion & Style:
March LA.B, founded in 2009 to fill a gap in the market between “the small guys and big guys,” is making its Watches and Wonders Geneva debut.
-
How the French National Football Team Outdressed the N.B.A.
The New York Times – Fashion & Style:
A continent away, eclectic style draws the eye.