The New York Times – Film:
A landmark of New Wave cinema, “The 400 Blows” brought her enduring global attention. She later appeared in “La Cage Aux Folles” and “Amélie.”
The New York Times – Film:
A landmark of New Wave cinema, “The 400 Blows” brought her enduring global attention. She later appeared in “La Cage Aux Folles” and “Amélie.”
The New York Times – Film:
In “A Private Life,” the actress takes on her first solo lead role in which she speaks fluent French, but her French connection goes all the way back to childhood.
The New York Times – Travel:
A language student’s guide to the French capital highlights the culinary, literary and musical influences that quietly shape everyday life.
The New York Times – Film:
A much-decorated French filmmaker, he divided audiences and critics with explorations, often darkly comic but brutal, of misogyny and the male sexual imagination.
The New York Times – T Magazine:
Albertine, in a Fifth Avenue mansion, is a portal to both Gilded Age New York and the Francophone world.
The New York Times – Music:
Aya Nakamura’s music is one of France’s top cultural exports. But reports that she might perform at the Paris Games have prompted fierce debates over identity and language.
The New York Times – Music:
The splashy show, an example par excellence of what makes modern French musicals distinctive, begins a run at Lincoln Center.
The New York Times – Music:
On Monday, the company performs the much-revised masterpiece for the first time in its original language.