The New York Times – Music:
Operas don’t usually reflect current events. But “The Mothers of Kherson,” a product of artistic advocacy by the Met Opera, blends news and myth.
The New York Times – Music:
Operas don’t usually reflect current events. But “The Mothers of Kherson,” a product of artistic advocacy by the Met Opera, blends news and myth.
The New York Times – Music:
The mayor, with a video filmed at the Metropolitan Opera House, joins the Met in announcing a program to give away 70,000 tickets a year.
The New York Times – Music:
Luminaries gathered to celebrate the Metropolitan Opera’s new season, which opened with Verdi’s “Macbeth.”
The New York Times – Music:
The rising director Louisa Proske makes her Metropolitan Opera debut with the season-opening “Macbeth,” a large-scale production that came with a ticking timer.
The New York Times – Music:
Peter Gelb, the general manager of the Metropolitan Opera, said he is not going anywhere as he struggles with financial crises and opera’s place in a changing arts landscape.
The New York Times – Music:
The arrangement would have brought up to $200 million to the Metropolitan Opera, which has suffered a series of financial setbacks.
The New York Times – Fashion & Style:
Audiences packed the house for a new production of “Tristan und Isolde.” They also came prepared, with (at least) five different forms of coffee.
The New York Times – Music:
Yuval Sharon, known for his bold approach to opera, is making his Met debut with what he has called “the single hardest work” to stage.
The New York Times – Music:
Among the highlights are the world premiere of an adaptation of “Lincoln in the Bardo,” and classics like “Macbeth” and “Jenufa.”