The New York Times – Music:
Nicolas Hodges has carried on with his career as an eminent interpreter of avant-garde music. But it hasn’t been without sacrifices.
The New York Times – Music:
Nicolas Hodges has carried on with his career as an eminent interpreter of avant-garde music. But it hasn’t been without sacrifices.
The New York Times – Music:
Nicolas Hodges has carried on with his career as an eminent interpreter of avant-garde music. But it hasn’t been without sacrifices.
The New York Times – Music:
One of Europe’s most influential free-jazz musicians, he played with “a kind of scream” to exorcise his demons, and those of German history.
The New York Times – Film:
After becoming known for movies distanced from his country’s history, culture and memory, he has drawn from them in some recent works.
The New York Times – Sports:
Die Aktuelle promoted an interview as the first with the retired Formula 1 driver since a 2013 accident. But artificial intelligence had generated the responses.
The New York Times – Sports:
Becker, who is featured in a new documentary, is beginning a third act after serving eight months in prison. “I’m sort of in late summer, fall of my life,” he said.
The New York Times – Film:
“Measures of Men” tells the story of the systematic massacre of Herero and Nama people in what is now Namibia. Its maker hopes the film will bring a debate about Germany’s colonial guilt into the center of society.
The New York Times – T Magazine:
Contemporary works are casting a new light on sentimentality for Communism.
The New York Times – Film:
His masquerade — a tale recounted in a memoir and in the film “Europa Europa” — saved his life. But “to this day,” he said, “I have a tangle of two souls in one body.”