The New York Times – Film:
“Barbie” scored a best-picture nomination and scooped up eight nods overall. Several factors could have led to Gerwig’s omission.
The New York Times – Film:
“Barbie” scored a best-picture nomination and scooped up eight nods overall. Several factors could have led to Gerwig’s omission.
The New York Times – Film:
It was a strong year for female directors overall, though the academy still seems to frown on younger male actors.
The New York Times – Film:
While “Oppenheimer,” “Barbie” and “Killers of the Flower Moon” are likely to do well, the directors race is hardly set and other categories are open, too.
The New York Times – Film:
Hollywood usually looks to the annual awards as a party, but this year they also have an unlikely mission: A bid for relevance.
The New York Times – Film:
The key moment in the smash hit went through many revisions: “We ended in tears. It ended in laughter, it got big, it got small.”
The New York Times – Film:
Movie audiences flocked to Taylor Swift, “Barbie” and “Oppenheimer” but were cooler toward returning superheroes like the Flash, Captain Marvel and Aquaman.
The New York Times – Film:
The director and writer behind “Barbie,” “Little Women” and “Lady Bird” will help pick the winner of next year’s Palme d’Or, the festival’s main prize.
The New York Times – Film:
The Korean American drama from Celine Song got four nominations, while Swift’s concert film got one. “The Color Purple” was overlooked for best musical.
The New York Times – Film:
The company’s approach has paid off to a degree that even the C.E.O. could hardly have believed possible.
Your cart is currently empty!
Notifications