The New York Times – Film:
For the original, Daniel Craig was hired weeks, not months, in advance, and Ana De Armas joined days ahead. The latest, “Wake Up Dead Man,” followed that template.
The New York Times – Film:
For the original, Daniel Craig was hired weeks, not months, in advance, and Ana De Armas joined days ahead. The latest, “Wake Up Dead Man,” followed that template.
The New York Times – Film:
The streaming service long thought spending on ads didn’t result in more viewers. That has subtly changed under the marketing chief Marian Lee.
The New York Times – Film:
Both “Everything Everywhere All at Once” and the “Knives Out” sequel delve into the abyss, where life has no meaning. What they do next is surprising.
The New York Times – Film:
‘Avatar: The Way of Water,” “Black Panther: Wakanda Forever” and “Top Gun: Maverick” made the cut. “The Woman King” and “Women Talking” were snubbed.
The New York Times – Film:
A fan of musical theater, Rian Johnson had long hoped to land the two stars. But he was already the editing phase when they agreed to take part.
The New York Times – Film:
The “Glass Onion” director explains why he sold the “Knives Out” franchise to a streamer, and how he feels about its theatrical test: “I want more.”
The New York Times – Film:
Daniel Craig returns as the world’s greatest detective, facing down a blue-chip cast of possible murderers in Rian Johnson’s new whodunit.