The New York Times – Film:
In films like “Day for Night,” “La Balance” and “The Return of Martin Guerre,” she was adept at portraying sensual, reflective or excitable characters.
The New York Times – Film:
In films like “Day for Night,” “La Balance” and “The Return of Martin Guerre,” she was adept at portraying sensual, reflective or excitable characters.
The New York Times – Film:
The Netflix film about the making of Jean-Luc Godard’s French New Wave classic “Breathless” is chock-full of names with key roles in cinema history.
The New York Times – Film:
The American director moves his sights to Paris in 1959, when a young, cocky Jean-Luc Godard is hustling to make his first (now legendary) movie.
The New York Times – Film:
Jean-Luc Godard’s hard-boiled sci-fi movie from 1965 returns in a restored version at IFC Center.
The New York Times – Film:
This documentary looks at the work of Jean-Luc Godard, who sought with each new work to confound assumptions about how movies could look and sound.
The New York Times – Film:
In Mitra Farahani’s film, Jean-Luc Godard and the Iranian writer-director Ebrahim Golestan undertake an epistolary dialogue, puttering and pondering at their homes.
The New York Times – Fashion & Style:
Breton tees, boyfriend shirts, blunt bangs — the late French director influenced generations of designers.
The New York Times – Film:
Jean-Luc Godard was a prophet of film’s future as an art form, layering images and sound that the body could sink into and the mind could puzzle through.