The New York Times – Film:
You can’t forgive the Academy for passing up “Brokeback Mountain” or omitting Amy Adams in “Arrival,” among other oversights that still sting.
The New York Times – Film:
You can’t forgive the Academy for passing up “Brokeback Mountain” or omitting Amy Adams in “Arrival,” among other oversights that still sting.
The New York Times – Film:
After establishing herself as a teacher, she started a prolific screen acting career in her 50s that included roles in “Goodfellas” and “The Sopranos.”
The New York Times – Film:
Leonardo DiCaprio’s Ernest is unlike any Scorsese protagonist because, well, he’s dumb as rocks. And that changes the film in a fundamental way.
The New York Times – Film:
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
The New York Times – Film:
The actor may be best known for “Goodfellas,” but he almost bailed on it because the character of the underboss Paulie Cicero was so difficult to pin down.
The New York Times – Film:
A would-be singing star, he found success in Hollywood playing a variety of roles, but they were often quiet, dangerous men, like Paulie Cicero in “Goodfellas.”
The New York Times – Film:
His performance as Henry Hill includes many touches that weren’t in the script. But the producer didn’t want to cast him originally.
The New York Times – Film:
The actor died in his sleep in the Dominican Republic, where he was filming a movie.