The New York Times – Music:
In his “Europeras,” Cage dismantled centuries of tradition and expectations, for musicians and audiences alike. A rare revival is coming to Detroit.
The New York Times – Music:
In his “Europeras,” Cage dismantled centuries of tradition and expectations, for musicians and audiences alike. A rare revival is coming to Detroit.
The New York Times – Music:
Metropolitan Opera stars joined prisoners for a one-night-only performance of “Dead Man Walking.”
The New York Times – Music:
As part of its push to stage more contemporary works, the company has turned to one of the most widely produced operas of the 21st century.
The New York Times – Music:
This death-row tale, adapted by Jake Heggie and Terrence McNally, opens the season of the Metropolitan Opera, as part of its push for newer works.
The New York Times – Music:
Among the company’s annual summer offerings, Monteverdi’s “L’Orfeo,” from 1607 but newly reorchestrated and imaginatively staged, stands out.