The New York Times – Film:
The director Brett Sullivan gives viewers the best seat in the house, with delicate camerawork that moves with the rhythms of Anaïs Mitchell’s soulful score.
The New York Times – Film:
The director Brett Sullivan gives viewers the best seat in the house, with delicate camerawork that moves with the rhythms of Anaïs Mitchell’s soulful score.
The New York Times – Film:
The director Brett Sullivan gives viewers the best seat in the house, with delicate camerawork that moves with the rhythms of Anaïs Mitchell’s soulful score.
The New York Times – Music:
Sam Pinkleton’s new revival at Studio 54 gives us the big gay mayhem we want while also maintaining some order via Rachel Dratch’s droll Narrator.