The New York Times – Music:
Quinn Kelsey commandingly charts each step in Macbeth’s decline in Louisa Proske’s postapocalyptic setting of Verdi’s opera, which opened the Metropolitan Opera’s season.
The New York Times – Music:
Quinn Kelsey commandingly charts each step in Macbeth’s decline in Louisa Proske’s postapocalyptic setting of Verdi’s opera, which opened the Metropolitan Opera’s season.
The New York Times – Music:
The rising director Louisa Proske makes her Metropolitan Opera debut with the season-opening “Macbeth,” a large-scale production that came with a ticking timer.
The New York Times – Music:
Ryan Speedo Green has been previewing his take on Wotan, ruler of the gods, with Gustavo Dudamel and the Los Angeles Philharmonic.
The New York Times – Music:
Yuval Sharon’s debut production featured an astonishing performance by the soprano Lise Davidsen. It is the event of the season.
The New York Times – Music:
Yuval Sharon, known for his bold approach to opera, is making his Met debut with what he has called “the single hardest work” to stage.
The New York Times – Music:
Ivo van Hove’s stark production of Mozart’s classic has returned to the Metropolitan Opera with a uniformly excellent cast.
The New York Times – Music:
After making history as the Metropolitan Opera’s first work by a Black composer, Terence Blanchard’s “Fire” is back — with its showstopping step dance.
The New York Times – Sports:
Terence Blanchard’s “Champion,” about the fighter Emile Griffith, is the rare opera to engage with sports. A boxing consultant helped keep it gritty.
The New York Times – Music:
Terence Blanchard’s jazz-inflected work tells the real-life story of the boxer Emile Griffith, haunted by guilt when an opponent died after a fight.