The New York Times – Music:
Among the company’s annual summer offerings, Monteverdi’s “L’Orfeo,” from 1607 but newly reorchestrated and imaginatively staged, stands out.
The New York Times – Music:
Among the company’s annual summer offerings, Monteverdi’s “L’Orfeo,” from 1607 but newly reorchestrated and imaginatively staged, stands out.
The New York Times – Music:
After a triumphant house debut in 2019, the bass-baritone Tomasz Konieczny brought power and clarity to the title role in “The Flying Dutchman.”