The New York Times – Music:
He lived with chronic pain and deep loneliness, which he poured into boundary-pushing music that incorporated multicultural sounds.
The New York Times – Music:
He lived with chronic pain and deep loneliness, which he poured into boundary-pushing music that incorporated multicultural sounds.
The New York Times – Music:
A protégé of the saxophonist Ornette Coleman, he borrowed from and greatly influenced styles like funk, punk, jazz and the blues.
The New York Times – Music:
At Lincoln Center, the guitarist Reg Bloor, Branca’s widow, will conduct his music for the first time: “Symphony No. 13 (Hallucination City) for 100 Guitars.”
The New York Times – Music:
The hard-to-categorize duo recorded its new, self-titled album surrounded by nature. It’ll be the band’s first on the storied Seattle label Sub Pop.
The New York Times – Music:
An inveterate tinkerer, he built groundbreaking guitars that were displayed in art galleries and played by Joni Mitchell, Trent Reznor and many others.
The New York Times – Music:
Besides his work with pop stars and jazz greats, he is credited with helping to invent the six-string contrabass guitar.
The New York Times – Music:
With a daring avant-garde approach, she pushed the frontiers of an instrument best known for speaking with a down-home accent.
The New York Times – Travel:
Two guitars belonging to a gospel band were lost on a flight from London to Paris. One arrived late, the other ended up ruined, but the airline won’t pay for the group’s tour rentals or the ruined instrument.
The New York Times – Music:
The instrument hasn’t always been a central player in jazz, but the best guitarists have taken up the challenge of finding their own way. Fourteen musicians and writers share their favorites.