The New York Times – Music:
The latest recording from Pygmalion, Messiaen’s “Quartet for the End of Time” and works written for Anne-Sophie Mutter are among our selections.
The New York Times – Music:
At Carnegie Hall, the English Concert made a case for “Hercules” as a strikingly modern dramatic oratorio of psychological and musical depth.
The New York Times – Music:
The church’s urgent and eloquent version of Handel’s classic oratorio remains an inspired communal rite.
The New York Times – Music:
Planned over a year ago, Handel’s “Israel in Egypt” was presented while the Israel-Hamas war unfolds in the Middle East.
The New York Times – Music:
R.B. Schlather’s new staging of this opera, with the excellent musicians of Ruckus, is the first of several Handel productions at Hudson Hall.
The New York Times – Music:
Claus Guth’s entertaining and often sexy new staging of Handel’s opera-oratorio hybrid in Munich is a coproduction with the Metropolitan Opera.
The New York Times – Music:
Fans of music from centuries past will find a wide variety of experiences and collections. One even comes with a side of rock ’n’ roll.
The New York Times – Music:
In “Solomon,” performed elegantly at Carnegie Hall by the English Concert and Clarion Choir under Harry Bicket, the chorus is the star.