The New York Times – Film:
An adaptation of Michael Haneke’s 2012 movie at the Salzburg Festival eschews cinematic realism, instead taking a highly stylized approach.
Category: Haneke, Michael
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For the Love (and the Hate) of the Horror Remake
The New York Times – Film:
With the American update of the Austrian horror film “Goodnight Mommy” now streaming, a horror fan discusses why remakes for him are a must-see.