The New York Times – Music:
Heartbeat’s Drag Opera Extravaganza, a yearly event around Halloween, is an off-color pastiche of opera and pop culture. This year: “Queeney Todd.”
The New York Times – Music:
The rising director Louisa Proske makes her Metropolitan Opera debut with the season-opening “Macbeth,” a large-scale production that came with a ticking timer.
The New York Times – Music:
Heartbeat Opera specializes in daring reductions of the classics, and this may be its most implausible undertaking yet.
The New York Times – Music:
Dan Schlosberg, who for 10 years has adapted opera classics for the company, has written its first world premiere.
The New York Times – Music:
With radical adaptations of Verdi’s “Macbeth” and Puccini’s “Tosca,” Heartbeat Opera shows why it’s so vital to New York’s music scene.