The New York Times – Music:
New works, “The Post Office” and “Constance: A Confession,” and a revival of Barber’s “Vanessa” show companies attempting to capture these nebulous times.
The New York Times – Music:
Heartbeat Opera specializes in daring reductions of the classics, and this may be its most implausible undertaking yet.
The New York Times – Music:
Dan Schlosberg, who for 10 years has adapted opera classics for the company, has written its first world premiere.
The New York Times – Music:
With radical adaptations of Verdi’s “Macbeth” and Puccini’s “Tosca,” Heartbeat Opera shows why it’s so vital to New York’s music scene.