The New York Times – Music:
Some of pop’s highest-wattage stars (Charli XCX! Sombr!) hit the road, and artists including Riley Green, Miranda Lambert and Victoria Monét prepare anticipated new releases.
The New York Times – Music:
With a self-possessed vision, the vocalist married her easy and intimate tone to jazz, blues and folk experiments, opening the door to a new postmodernism.
The New York Times – Music:
He performed at the highest level for decades, sensitively backing singers like Tony Bennett and Lena Horne when not leading his own innovative groups.
The New York Times – Music:
Train Jazz captures and maps the choreography of the Amtrak network into a seven-instrument jazz ensemble, now playing on an internet-connected device near you.
The New York Times – Music:
With a low and smoky voice, she conjured the blues tradition of her native Mississippi in both her own songs and in covers.
The New York Times – Music:
He abandoned a job teaching college English in the 1960s to become a pioneer of the instrument, playing onstage with Herbie Hancock’s jazz band.
The New York Times – Music:
He abandoned a job teaching college English in the 1960s to become a pioneer of the instrument, playing onstage with Herbie Hancock’s jazz band.
The New York Times – Music:
Jorja Smith offers a loaded invitation, Rapsody explores Africa and the cosmos, and Carly Simon returns with her first single in decades.
The New York Times – Music:
This standards-leaning pianist has made fans of jazz’s heavyweights. On “Leave That in There,” out Aug. 28, his playful originals reveal another level of virtuosity.