The New York Times – Film:
From Travis Bickle to the protagonist of “Killers of the Flower Moon,” the director has excelled at depicting a certain kind of male antihero.
The New York Times – Film:
From Travis Bickle to the protagonist of “Killers of the Flower Moon,” the director has excelled at depicting a certain kind of male antihero.
The New York Times – Film:
Leonardo DiCaprio’s Ernest is unlike any Scorsese protagonist because, well, he’s dumb as rocks. And that changes the film in a fundamental way.
The New York Times – Film:
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
The New York Times – Film:
Martin Scorsese’s three-and-a-half-hour epic is the first of three high-profile movies the tech company will give wide theatrical releases in the coming months.
The New York Times – Film:
Martin Scorsese’s epic traces a real plot by white men to kill dozens of Native Americans who held oil rights in 1920s Oklahoma. Here is the back story.
The New York Times – Film:
Martin Scorsese’s three-and-a-half-hour epic, starring Leonardo DiCaprio, is a romance, a western, a whodunit and a lesson in the bloody history of the Osage murders of the 1920s.
The New York Times – Film:
How Jack Fisk, the master production designer behind ‘Killers of the Flower Moon’ and many other films, brings the past to life.
The New York Times – Film:
Martin Scorsese’s epic drama about killings in Osage territory in the 1920s showcases the unparalleled wedding wear and culture of the tribe.
The New York Times – Film:
New films by Martin Scorsese, Sofia Coppola, David Fincher and Bradley Cooper lead a select list of the season’s highlights.