The New York Times – Film:
Deposit slips, vintage ledgers and more: David Korins’s Tony-nominated, 27,000-pound set for “Dog Day Afternoon” is as much a technical feat as a 1970s throwback.
The New York Times – Film:
Deposit slips, vintage ledgers and more: David Korins’s Tony-nominated, 27,000-pound set for “Dog Day Afternoon” is as much a technical feat as a 1970s throwback.