The New York Times – Music:
The Italian soprano’s dramatic acumen and hard-to-characterize voice brought a range of classic opera heroines vividly and emotionally to life.
The New York Times – Music:
The Italian soprano’s dramatic acumen and hard-to-characterize voice brought a range of classic opera heroines vividly and emotionally to life.
The New York Times – Music:
A noted Violetta in Verdi’s “La Traviata,” she had an equally noted second act as a singing teacher when her performing career ended.
The New York Times – Music:
Sonya Yoncheva doesn’t fill out the long lines of “Norma” at the Met, while Angel Blue is a warm, sincere Violetta in “La Traviata.”
The New York Times – Music:
Alongside a winning “L’Elisir d’Amore,” our critic returned to four works at the Met in the middle of their runs to hear new rotations of artists.
The New York Times – Music:
Recordings of works by Julius Eastman and William Grant Still, as well as a new “La Traviata,” are among the highlights.