The New York Times – Music:
Eblis Álvarez’s albums are “collaborations” with fictional bands. His latest, with the imaginary El Grupo Renacimiento, is a psychedelic fever dream and a critique of technology’s encroach.
The New York Times – Music:
Eblis Álvarez’s albums are “collaborations” with fictional bands. His latest, with the imaginary El Grupo Renacimiento, is a psychedelic fever dream and a critique of technology’s encroach.
The New York Times – Music:
The saxophonist and his longtime collaborator Luis Perdomo reimagined some of their favorite Latin American ballads for an album that made deep connections during the pandemic.
The New York Times – Music:
He was trained in the classics and jazz, but he helped popularize a new, danceable genre known as timba.
The New York Times – Music:
After three decades of making albums, the Academy Award-winning songwriter is still blending science and poetry, still reaching out to younger artists and still learning.
The New York Times – Music:
La rapera dominicana, alegremente célebre por sus letras obscenas, ha colaborado con estrellas como J Balvin y Rosalía, y ha sido aclamada como una iconoclasta.
The New York Times – Music:
The gleefully raunchy Dominican rapper, who’s collaborated with J Balvin and Rosalía, has been hailed as an iconoclast. Her own goal is simple: Speaking her truth.
The New York Times – Music:
The Spanish pop singer, known for her reinvention of flamenco, has smashed together new sounds from the Latin world and beyond on her latest album, “Motomami,” out on Friday.
The New York Times – Music:
A record featuring the singer’s digitally altered voice is expected to be released by next month, her father said.
The New York Times – Fashion & Style:
The international pop star expands his empire.