The New York Times – Music:
When Brazilian musicians fused samba with jazz and classical influences in the 1950s and ’60s, he was among the first, and the best.
The New York Times – Music:
When Brazilian musicians fused samba with jazz and classical influences in the 1950s and ’60s, he was among the first, and the best.
The New York Times – Music:
The most impactful tracks of the year come from different genres and generations — and not all of them are traditional songs.
The New York Times – Music:
She drew on rhythms from across the African diaspora and sang in Portuguese, English, Cape Verdean Criolo and Angolan slang.
The New York Times – Music:
The Guatemalan singer-songwriter said that his latest performance in Chile would be his last after struggling with back issues that made it difficult to stand and perform.
The New York Times – Music:
Seventy-one tracks that asked big questions, found new kinship between genres and helped us see the good in Ken.
The New York Times – Music:
Inspired by a century-old genre from the Mexican countryside, the latest pop music phenomenon is drawing thousands of young fans — and criticism for its violent references.
The New York Times – Music:
Many of the LPs that made an impact this year, including SZA’s “SOS” and Olivia Rodrigo’s “Guts,” came from looking inward.