The New York Times – Music:
An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivalent message about how art can make people pay attention.
The New York Times – Music:
An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivalent message about how art can make people pay attention.
The New York Times – Music:
Charles Ludlam’s camp tribute to Maria Callas, featuring the countertenor Anthony Roth Costanzo, is glamorous to a fault at Little Island.
The New York Times – Music:
Shaina Taub’s new musical at the Public Theater tells the story of the women’s suffrage movement in the years leading up to the passage of the 19th Amendment.