The New York Times – Film:
More than 100 actors, singers and creative professionals attended the New York premiere of Darren Aronofsky’s new film at Alice Tully Hall this week. Some of them shared their thoughts.
Category: Lincoln Center for the Performing Arts
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In a ‘Sea Change,’ Women of the Philharmonic Now Outnumber the Men
The New York Times – Music:
The New York Philharmonic, which was an all-male bastion for most of its 180 years of existence, currently has 45 women and 44 men.
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The Philharmonic Tests Its New Home With the Classics
The New York Times – Music:
David Geffen Hall reopened with a month of concerts that sketched a possible future for the New York Philharmonic. Now it’s back to business.
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One More Project for David Geffen: Building His Legacy
The New York Times – Music:
The entertainment mogul has given $1.2 billion to institutions around the nation, including the New York Philharmonic’s transformed Lincoln Center home.
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Music, Science and Healing Intersect in an A.I. Opera
The New York Times – Music:
The work-in-progress “Song of the Ambassadors” got a test run at Alice Tully Hall — with Lincoln Center’s artistic director lending her brain.
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David Geffen Hall Reopens, Hoping Its $550 Million Renovation Worked
The New York Times – Music:
The New York Philharmonic’s Lincoln Center home was gutted and rebuilt to try to fix the acoustic woes that have long plagued it. To inaugurate the hall, officials are using a new playbook.
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David Geffen Hall, Notoriously Jinxed, Is Reborn Again
The New York Times – Music:
David Geffen Hall, the New York Philharmonic’s Lincoln Center home, is reopening after a $550 million renovation aimed at breaking its acoustic curse — and adding a dash of glamour.
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The Syncopated Sounds of Old San Juan Hill at the New Geffen Hall
The New York Times – Music:
Etienne Charles’s composition for the reopening of the hall honors the Afro-diasporic musical heritage of the neighborhood razed to build Lincoln Center.
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Why New Yorkers Still ❤️ Film
The New York Times – Film:
Projectionists are busier than ever, as they serve a demand for obscure 35-millimeter titles, nostalgia and the quirks of analog.