The New York Times – Music:
Piotr Beczala, known as a charismatic singer of Italian operas, is challenging notions of what a Wagner voice should sound like.
The New York Times – Music:
Piotr Beczala, known as a charismatic singer of Italian operas, is challenging notions of what a Wagner voice should sound like.
The New York Times – Music:
The tenor Piotr Beczala sings with uncanny serenity and command in the title role of Wagner’s opera, directed by François Girard with little subtlety.
The New York Times – Music:
François Girard’s staging, originally a co-production with the Bolshoi Theater, arrives a year after its Moscow premiere, which coincided with Russia’s invasion of Ukraine.
The New York Times – Music:
Robert Wilson’s staging of Wagner’s “Lohengrin” opened to a wall of boos in 1998. But it brought new theatrical possibilities to the Met.
The New York Times – Music:
In some cases, the inflammatory, Nazi-associated term has been changed out of sensitivity. What do we lose when that happens?