The New York Times – Music:
Sarah Kirkland Snider’s gorgeously mesmerizing first opera has both focus and a thematically expansive view of a moment in medieval history.
The New York Times – Music:
Sarah Kirkland Snider’s gorgeously mesmerizing first opera has both focus and a thematically expansive view of a moment in medieval history.
The New York Times – Music:
The pandemic was tough on city centers and cultural institutions. What does that mean for Los Angeles, whose downtown depends on the arts?
The New York Times – Music:
James Conlon, who has conducted more performances with the company than anyone else, will step down from his post in 2026.
The New York Times – Music:
For a month now, politicians, newspapers and classical music stars have been arguing over the future of English National Opera. A funding cut could have repercussions far beyond Britain.