The New York Times – Film:
The director developed such a distinct style that “Lynchian” became a go-to term for any sort of surrealism onscreen. These scenes from his work get to the heart of what that term embodied.
The New York Times – Film:
The director developed such a distinct style that “Lynchian” became a go-to term for any sort of surrealism onscreen. These scenes from his work get to the heart of what that term embodied.
The New York Times – Film:
Films like “Blue Velvet” and “Mulholland Drive” aren’t always easy to explain, but they live on in your mind and burrow under your skin.