The New York Times – Film:
The legendary actor discusses the prophecy that changed his life, his Oscar snub and his upcoming role starring alongside a “complicated” Jake Gyllenhaal in “Othello” on Broadway.
The New York Times – Film:
The legendary actor discusses the prophecy that changed his life, his Oscar snub and his upcoming role starring alongside a “complicated” Jake Gyllenhaal in “Othello” on Broadway.
The New York Times – Film:
This month’s films include portraits of the actress Jean Seberg and the director David Lynch, plus one of the year’s Oscar nominees.
The New York Times – Music:
Music played a huge role in defining the filmmaker’s distinctive atmosphere on the big and small screens. Hear 13 examples.
The New York Times – Film:
The director developed such a distinct style that “Lynchian” became a go-to term for any sort of surrealism onscreen. These scenes from his work get to the heart of what that term embodied.
The New York Times – Film:
Lavish hair, nondescript clothes and a smoking habit were hallmarks of the filmmaker David Lynch’s visual persona.
The New York Times – Film:
The director himself came off as almost performatively normal. Masterpieces like “Eraserhead” and “Mulholland Drive” said otherwise.
The New York Times – Film:
Films like “Blue Velvet” and “Mulholland Drive” aren’t always easy to explain, but they live on in your mind and burrow under your skin.
The New York Times – Film:
The filmmaker possessed a singular vision — and a knack for finding collaborators who could convey it.
The New York Times – Film:
Lynch’s death inspired tributes from fellow filmmakers, celebrities and past collaborators, who praised his visionary work and singular voice.