The New York Times – Music:
Quinn Kelsey has had success after success at the Metropolitan Opera. These three performances secure his reputation as a great Verdi baritone.
The New York Times – Music:
Quinn Kelsey has had success after success at the Metropolitan Opera. These three performances secure his reputation as a great Verdi baritone.
The New York Times – Music:
Verdi’s adaptation of the Shakespeare tragedy comes to movie screens around the world. And “Rent” holds a 30th anniversary concert.
The New York Times – Music:
Why include traditional Georgian dance in a production of “Macbeth”? For the opera, the action director wanted something visceral: “I wanted to actually smell the sweat.”
The New York Times – Music:
Quinn Kelsey commandingly charts each step in Macbeth’s decline in Louisa Proske’s postapocalyptic setting of Verdi’s opera, which opened the Metropolitan Opera’s season.
The New York Times – Music:
Luminaries gathered to celebrate the Metropolitan Opera’s new season, which opened with Verdi’s “Macbeth.”
The New York Times – Music:
The rising director Louisa Proske makes her Metropolitan Opera debut with the season-opening “Macbeth,” a large-scale production that came with a ticking timer.
The New York Times – Music:
Every summer, Salzburg, Austria, becomes the center of the classical music world, attracting some 256,000 visitors for a star-studded festival.
The New York Times – Music:
The Russian star soprano appeared in her first staged opera in Germany since the Ukraine invasion, still under fire for her past support for President Vladimir V. Putin.