The New York Times – Film:
As our critic knows, missing out on the shared experience of school is deeply strange. It’s something Hollywood rarely acknowledges, except in these films.
The New York Times – Film:
As our critic knows, missing out on the shared experience of school is deeply strange. It’s something Hollywood rarely acknowledges, except in these films.
The New York Times – Film:
Some people have roasted the outfits in the new film, but there were reasons the Plastics got a Gen Z spin. (Among them: social media, fast fashion and the pandemic.)
The New York Times – Film:
With “Mean Girls,” “Wonka” and “The Color Purple,” why have studios spent much of their marketing budget downplaying and disguising their movie musicals?
The New York Times – Film:
With “Mean Girls,” “Wonka” and “The Color Purple,” why have studios spent much of their marketing budget downplaying and disguising their movie musicals?
The New York Times – Fashion & Style:
Two decades ago, Rosalind Wiseman defined teen-girl dynamics and inspired Tina Fey’s cult classic movie. Now she helps the adult women who can’t escape high school.
The New York Times – Film:
Still puffily padded but no longer particularly tart, this shape-shifting classic about the girls you love to hate retains its ingratiating charms.
The New York Times – Film:
With a new version of Regina George and the Plastics headed to theaters, she reflects on how different generations have reacted over the years.
The New York Times – Fashion & Style:
Ahead of the release of the film adaptation of the “Mean Girls” musical, some fans said the new spin on the classic 2004 movie had a lot to live up to. Others said they felt old.
The New York Times – Fashion & Style:
Ahead of the release of the film adaptation of the “Mean Girls” musical, some fans said the new spin on the classic 2004 movie had a lot to live up to. Others said they felt old.