The New York Times – Film:
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
The New York Times – Film:
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
The New York Times – Film:
The actor recently donated hundreds of boxes of scripts, props, notes and other objects from his work on “Raging Bull,” “Taxi Driver” and more. We dived in.