The New York Times – Music:
The arrangement would have brought up to $200 million to the Metropolitan Opera, which has suffered a series of financial setbacks.
The New York Times – Music:
The arrangement would have brought up to $200 million to the Metropolitan Opera, which has suffered a series of financial setbacks.
The New York Times – Music:
A strong cast led by the soprano Asmik Grigorian lifts Deborah Warner’s production, which never quite convinces.
The New York Times – Music:
Vilma Jää, a Finnish folk and pop singer, is bringing her eerie and affecting traditional music to the Metropolitan Opera.
The New York Times – Music:
The set of Kaija Saariaho’s opera “Innocence” transforms with astonishing speed. It takes a big, nimble team to make that possible.
The New York Times – Music:
The creators of a new “Tristan und Isolde” production explain the influences behind every element of a crucial scene.
The New York Times – Music:
Audiences are packing the theater for a new “Tristan und Isolde.” Everyone can see the same spectacle, but they probably don’t hear the same sound.
The New York Times – Fashion & Style:
Audiences packed the house for a new production of “Tristan und Isolde.” They also came prepared, with (at least) five different forms of coffee.
The New York Times – Music:
Davidsen, who has returned triumphantly to the Met in “Tristan und Isolde,” said that singing “has been my world, my everything. And now it’s not.”