The New York Times – Music:
A concert to benefit relief efforts featured a young Ukrainian singer, Beethoven’s “Ode to Joy” and the Met’s prima donna of the moment.
The New York Times – Music:
At the Metropolitan Opera, the bass-baritone Vladyslav Buialskyi has become a symbol of his country’s struggles.
The New York Times – Music:
Cultural institutions face tough decisions: Is it safe to drop mask and vaccine requirements, and would doing so be more likely to lure audiences back or keep them away?
The New York Times – Music:
“We want Putin to know he is the enemy of artists and that we are united against his horrific actions,” the company’s general manager said.
The New York Times – Music:
The Met Opera and Philadelphia Orchestra conductor recently took a break because of exhaustion. Then he found himself in the middle of a performance marathon.
The New York Times – Music:
Russia’s invasion of Ukraine has led arts organizations to reconsider who performs, forcing them to confront questions about free speech and policing political views.
The New York Times – Music:
Lise Davidsen unleashed rare grandeur of tone throughout her range in the title role of Strauss’s opera.
The New York Times – Music:
The Met said she would not appear for two seasons, and possibly more, after declining to comply with its demand that she repudiate her public support for Putin.
The New York Times – Music:
The Russian conductor Valery Gergiev and the diva Anna Netrebko have lost engagements because of their ties to Putin, as geopolitics and music collide once again.