The New York Times – Film:
An earlier airtime and an unusual presenter approach are among the changes at this year’s ceremony.
Category: Miyazaki, Hayao
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The Meaning of Flight in the Films of Hayao Miyazaki
The New York Times – Film:
When characters take flight in the films of the master animator, there is always a deeper meaning.
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What It’s Like to Work With Hayao Miyazaki
The New York Times – Film:
The anime master is a creature of habit who talks every day with his longtime producer, and keeps it more hands off with his regular composer.
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‘The Boy and the Heron’ Review: Hayao Miyazaki Has a Question for You
The New York Times – Film:
The anime filmmaker returns at 82 with the enigmatic tale of a boy growing up amid war and fear, much as the director did.
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Ghibli Park Celebrates “Totoro” And Other Miyazaki Movies
The New York Times – Travel:
The Japanese company Studio Ghibli opened a theme park to celebrate the eccentric, charming animated movies of its founder, Hayao Miyazaki. Could two ‘Totoro’-loving toddlers find happiness there?
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Why Do Cats Hold Such Mythic Power in Japan?
The New York Times – Travel:
A journey through a country where felines are revered, adored and sometimes seen as actual demons.
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Spirited Away to Miyazaki Land
The New York Times – Travel:
What happens when the surreal imagination of the world’s greatest living animator, Hayao Miyazaki, is turned into a theme park?
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The Composer Who Turns Hayao Miyazaki’s Humane Touch Into Music
The New York Times – Music:
Joe Hisaishi’s scores have helped make Studio Ghibli films indelible. But in concert, the works stand on their own. That’s because “it’s about emotion,” he says.
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For the Most Complex Heroines in Animation, Look to Japan
The New York Times – Film:
The girls and women of anime tend to experience the conflicting emotions of real life. That’s because the auteurs try to create “an everyday, real person.”