The New York Times – Film:
Is the male love interest the answer to toxic masculinity? The actors contemplate that prospect and the challenges of creating a very adult fable.
The New York Times – Film:
Is the male love interest the answer to toxic masculinity? The actors contemplate that prospect and the challenges of creating a very adult fable.
The New York Times – Film:
Jake Gyllenhaal, Seth Rogen and others explain how an audacious 2001 sci-fi indie flop overcame early disaster to become a phenomenon.
The New York Times – Film:
Sam Wasson venerates Frank Capra, who directed a clutch of Hollywood classics. His new biography aims to challenge an earlier, unflattering portrait.
The New York Times – Film:
Nathan Fielder and Lance Oppenheim teamed up to interview Elizabeth Holmes, the convicted executive, for “You Can See Everything.” Our critic, Alissa Wilkinson, shares her thoughts on how the documentary follows a lineage of other documentaries that blend reality and performance.
The New York Times – Fashion & Style:
In the 1980s, video clubs in Ghana used hand-painted posters to draw African audiences to Hollywood movies. Now they’re attracting American film buffs.
The New York Times – Film:
The storyboard artist produced scene-by-scene sketches that shaped films like “Fargo,” “The Big Lebowski” and “No Country for Old Men.”
The New York Times – Film:
In a wide-ranging conversation, Travis Knight discussed bringing Oregon to life frame by frame, and maintaining a human touch in animation.
The New York Times – Film:
“A Talent for Murder” turns the novelist into a suspicious character in a psychological thriller. The author’s caustic personality makes the leap plausible.