The New York Times – Music:
Lise Davidsen’s recital at the Met Opera, Gustavo Dudamel leading “Romeo and Juliet,” and a violinist’s personal program are among our selections.
The New York Times – Music:
Lise Davidsen’s recital at the Met Opera, Gustavo Dudamel leading “Romeo and Juliet,” and a violinist’s personal program are among our selections.
The New York Times – Music:
The Estonian Festival Orchestra made its North American debut at Carnegie Hall, offering a broad, excellently played survey of Pärt’s music.
The New York Times – Music:
Among the company’s annual summer offerings, Monteverdi’s “L’Orfeo,” from 1607 but newly reorchestrated and imaginatively staged, stands out.
The New York Times – Music:
Muhly has reorchestrated Monteverdi’s foundational “L’Orfeo” for a new production at Santa Fe Opera.
The New York Times – Music:
Four popular composers explain how this Englishman’s ideas ricochet through their own works today.
The New York Times – Music:
Four popular composers explain how this Englishman’s ideas ricochet through their own works today.
The New York Times – Music:
Adams, arguably our greatest living composer, has done operas inspired by recent history. In “Antony and Cleopatra,” he turns to Shakespeare.
The New York Times – Music:
The fashion designer Isaac Mizrahi is a terrific host, but this production at the Guggenheim Museum is awfully shaggy for an avian story, our critic writes.
The New York Times – Music:
In its American debut with the New York Philharmonic, “In Certain Circles,” featuring Katia and Marielle Labèque, had a freedom born from confidence.