The New York Times – Music:
The founder of the Dweller festival, now in its third year in New York, started the event to center Black D.J.s and producers, “and imagine what we want.”
The New York Times – Music:
The founder of the Dweller festival, now in its third year in New York, started the event to center Black D.J.s and producers, “and imagine what we want.”
The New York Times – Music:
Known for his deep, world-weary voice, he was part of a generation of Seattle musicians who put grunge music on the map.
The New York Times – Music:
Víkingur Ólafsson made his Carnegie Hall debut with a hypnotically unfurling program based on his recent album “Mozart and Contemporaries.”
The New York Times – Music:
After a long streak without canceled performances that continued through the Omicron surge, the company announced ambitious plans for 2022-23.
The New York Times – Music:
Two years after the coronavirus paralyzed classical music, ensembles are again returning to the global stage. But they face significant challenges.
The New York Times – Music:
Delayed by the pandemic in 2020, then again in January, the Philadelphia Orchestra brought a long-awaited Ninth Symphony to Carnegie Hall.
The New York Times – Music:
An album of music from Disney’s animated movie earned its sixth week at No. 1, while Eminem and Dr. Dre benefited from small Super Bowl boosts.
The New York Times – Music:
Tyshawn Sorey’s “Monochromatic Light (Afterlife),” for the 50th anniversary of the Houston space, closely echoes Morton Feldman’s “Rothko Chapel.”
The New York Times – Music:
The 31-year-old Los Angeles musician’s first album was filled with electro-inflected indie rock. Its follow-up, “Squeeze,” has harder music filtered through her unique lens.