The New York Times – Music:
Besides his work with pop stars and jazz greats, he is credited with helping to invent the six-string contrabass guitar.
The New York Times – Music:
Besides his work with pop stars and jazz greats, he is credited with helping to invent the six-string contrabass guitar.
The New York Times – Music:
Trinity’s organ was destroyed in the Sept. 11 attacks. At last, its replacement has been unveiled. Hear the sound of its 8,041 pipes.
The New York Times – Music:
A self-taught multi-instrumentalist, he rose from a childhood of rural privation to become a favorite of jazz musicians and audiences around the world.
The New York Times – Music:
The novelist’s sheet music collection reveals new perspectives on her life and work.
The New York Times – Music:
In recent years, Tanglewood has become visibly more welcoming to its youngest audiences. Just ask this critic’s three kids.
The New York Times – Music:
A gilt-trimmed upright Steinway piano commissioned in 1912 for the ocean liner Olympic is on dry land and ready to be heard again.
The New York Times – Music:
A self-taught electric guitar virtuoso, he influenced a generation of musicians. One of them, John Fogerty, called him rock’s first guitar god.
The New York Times – Music:
Writers, scholars, radio hosts and musicians, including the bassist Ron Carter, share songs that shine a light on an instrument that lays the foundation of jazz.
The New York Times – Music:
His expertise on the electromechanical Mellotron helped define the band’s progressive sound in the 1960s and ’70s on albums like “Days of Future Passed.”