The New York Times – Music:
The church’s urgent and eloquent version of Handel’s classic oratorio remains an inspired communal rite.
The New York Times – Music:
The church’s urgent and eloquent version of Handel’s classic oratorio remains an inspired communal rite.
The New York Times – Music:
In an evening built to entertain, there was also depth in Andrés Orozco-Estrada’s conducting and the cellist Edgar Moreau’s playing.
The New York Times – Music:
Feats, farewells and musical treasures in a year of post-pandemic financial pressures.
The New York Times – Music:
Rachmaninoff’s Symphonic Dances was the highlight of a program that also included the New York debut of Bryce Dessner’s evocative Concerto for Two Pianos.
The New York Times – Music:
“Émigré,” about Jews who fled Nazi Germany, debuts amid U.S.-China tensions and cultural rifts over the Israel-Hamas war. It comes to New York in February.
The New York Times – Music:
Under Dima Slobodeniouk, the orchestra played works by Holst and Ligeti and, for the first time, Julia Perry’s somber “Stabat Mater.”
The New York Times – Music:
Julia Perry’s “Stabat Mater” was well received in the 1950s. But it took until this week for the New York Philharmonic to program it.
The New York Times – Music:
In back-to-back programs, the orchestra presented concertos by Beethoven and Benjamin Britten.
The New York Times – Music:
A new documentary tells the story of Orin O’Brien, a double bassist who became the only woman in the New York Philharmonic when she joined in 1966 and helped open doors for others.