The New York Times – Music:
Mary Zimmerman, known for a dreamy approach to theater, stages the Metropolitan Opera’s company premiere of “Florencia en el Amazonas.”
Category: Nezet-Seguin, Yannick
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Conducting Lessons: How Bradley Cooper Became Leonard Bernstein
The New York Times – Music:
For “Maestro,” Cooper learned from top conductors like Gustavo Dudamel and Yannick Nézet-Séguin — and by stealth in concert halls or from the orchestra pit.
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Verdi’s ‘Nabucco’ and Requiem Showcase the Met Opera Chorus
The New York Times – Music:
The company’s opening week included performances of “Nabucco” and the Requiem.
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Review: The Met Opera’s Season Opens With ‘Dead Man Walking’
The New York Times – Music:
As part of its push to stage more contemporary works, the company has turned to one of the most widely produced operas of the 21st century.
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‘Dead Man Walking’ Makes Its Way to the Met Opera
The New York Times – Music:
This death-row tale, adapted by Jake Heggie and Terrence McNally, opens the season of the Metropolitan Opera, as part of its push for newer works.
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The Soprano Ailyn Pérez Doesn’t Feel Like a Beginner Anymore
The New York Times – Music:
Long a rising star, she is getting a new Metropolitan Opera production built around her, and it’s the house’s first Spanish-language show.
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Review: A Composer’s ‘Lear’ Freshens a Shakespeare Evening
The New York Times – Music:
The Met Orchestra’s season-ending concert at Carnegie Hall featured the premiere of Matthew Aucoin’s “Heath (‘King Lear’ Sketches).”
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The Maestro Wore Blue: Bringing Pizazz to the Pit at the Met
The New York Times – Music:
Yannick Nézet-Séguin, the Metropolitan Opera’s music director, wears custom-made outfits tailored to each production, challenging conservative norms.
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Review: In ‘La Bohème’ at the Met, the Star Is in the Pit
The New York Times – Music:
Yannick Nézet-Séguin, the company’s music director, is conducting a beloved production of Puccini’s perennial classic for the first time.