The New York Times – Music:
The choreographer Sonya Tayeh’s “The Surge” is a dance response to themes in O’Connor’s life: spirituality, identity and what Tayeh calls jrage, or joy and rage.
The New York Times – Music:
The choreographer Sonya Tayeh’s “The Surge” is a dance response to themes in O’Connor’s life: spirituality, identity and what Tayeh calls jrage, or joy and rage.
The New York Times – Music:
As the show celebrates its 50th season, look back at some of its most fiery, shocking and groundbreaking performances.
The New York Times – Music:
Hear songs from Ana Moura, the Orlons and Colin Hay that defined 2024 for readers.
The New York Times – Fashion & Style:
The performance artist Christeene’s show honoring the Irish musician’s debut album touched down in New York with Peaches, Justin Vivian Bond and plenty of nudity and tears.
The New York Times – Music:
Oasis and Sade will appear on the ballot for the first time, alongside Dave Matthews Band, A Tribe Called Quest, Mary J. Blige and others.
The New York Times – Music:
At the end of her tribute to the outspoken artist, Lennox proclaimed: “Artists for cease-fire”
The New York Times – Music:
The Irish singer-songwriter, known for her powerful, evocative voice, died at 56 at a residence in London in July.