The New York Times – Music:
As Wotan in Patrice Chéreau’s neo-Marxist staging of the “Ring” cycle, he was part of a celebrated, polarizing moment in opera history.
The New York Times – Music:
As Wotan in Patrice Chéreau’s neo-Marxist staging of the “Ring” cycle, he was part of a celebrated, polarizing moment in opera history.
The New York Times – Music:
After the police found the Grammy-nominated performer in his home with fatal wounds, his son was taken into custody, the authorities said.
The New York Times – Music:
The singers did marvelous work at the Opéra Bastille in Paris, where the director Calixto Bieito’s new staging takes place in a hellish dystopia.
The New York Times – Music:
Umberto Giordano’s tragedy of love undone by the French Revolution has returned, but as an evening of coarse music making.
The New York Times – Music:
Peter Gelb, the Met’s general manager, said a security guard was absent from his post when two people climbed onstage at a performance of “Carmen.”
The New York Times – Music:
The latest revival of Richard Strauss and Hugo von Hofmannsthal’s final opera was a night of promising debuts and mixed success.
The New York Times – Music:
Daniele Rustioni is already busy as the Met’s new principal guest conductor, with three shows onstage this fall.
The New York Times – Music:
Huang Ruo and David Henry Hwang’s “The Monkey King,” based on “Journey to the West,” brings an old superhero to the opera stage.