The New York Times – Music:
A flamboyant mezzo-soprano (who could also sing meaty soprano roles), she overcame racial prejudice to become one of opera’s first, and biggest, Black stars.
The New York Times – Music:
A flamboyant mezzo-soprano (who could also sing meaty soprano roles), she overcame racial prejudice to become one of opera’s first, and biggest, Black stars.
The New York Times – Music:
Giddens said that the success of their opera “Omar” proves that “nobody has the lock on being a composer.”
The New York Times – Music:
An excellent cast brings heat to Ivo van Hove’s austere, agile staging of Mozart’s classic, starring Peter Mattei and conducted by Nathalie Stutzmann.
The New York Times – Music:
The beloved author of children’s books is experimenting with new forms, alongside starry collaborators, at the Kennedy Center.
The New York Times – Music:
Among our critic’s recommendations are multiple “Ring” cycles, a premiere by Ellen Reid and the soprano Lise Davidsen in Strauss’s “Salome.”
The New York Times – Music:
“Grounded,” a new work about the psychological toll of drone warfare, drew scrutiny after its presenter, Washington National Opera, advertised the support of a major military contractor.
The New York Times – Music:
The opera house’s new streaming service provides live and on-demand performances, as well as extras like backstage glimpses and educational programs.
The New York Times – Music:
The opera by Antonin Dvorak about a water nymph’s journey into the human world, first performed in 1901, is making its debut at La Scala in June.
The New York Times – Music:
Mario Botta, who just finished leading a second round of updates to the 18th-century opera house in Milan, discussed his work and his inspiration.