The New York Times – Music:
Julie Taymor’s version of Mozart’s opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Met’s condensed version for families.
The New York Times – Music:
Julie Taymor’s version of Mozart’s opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Met’s condensed version for families.
The New York Times – Music:
After hackers knocked out the ticket-selling system of the Met, the largest performing arts organization in the United States, the company decided to sell $50 general admission seats.
The New York Times – Music:
For a month now, politicians, newspapers and classical music stars have been arguing over the future of English National Opera. A funding cut could have repercussions far beyond Britain.
The New York Times – Music:
The company’s computer systems have been down for more than three days. It will now use a Lincoln Center website to offer $50 general admission seats to some performances.
The New York Times – Music:
Some of the company’s productions, like the recently opened “Aida,” require over a hundred additional actors. On opening night, I joined them.
The New York Times – Music:
But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire.
The New York Times – Film:
Kornel Mundruczo’s varied career has included the Oscar-nominated movie “Pieces of a Woman,” stage productions across Europe and now, “Lohengrin.”