The New York Times – Music:
In Stuttgart, Wagner’s “Die Walküre” is being divided among a trio of creative teams with divergent visions.
The New York Times – Music:
In Stuttgart, Wagner’s “Die Walküre” is being divided among a trio of creative teams with divergent visions.
The New York Times – Music:
For her English National Opera debut, the company’s new artistic leader, Annilese Miskimmon, has chosen a work she hopes can bring in a new audience.
The New York Times – Music:
At the Metropolitan Opera, Nina Stemme and Lise Davidsen are a blazing pair as sisters in a revival of Strauss’s work.
The New York Times – Music:
At the Metropolitan Opera, Nina Stemme and Lise Davidsen are a blazing pair as sisters in a revival of Strauss’s work.
The New York Times – Music:
The star soprano Anna Netrebko lost work in the West over her ties to the Russian president. Now, following an about-face, she has been called a traitor at home.
The New York Times – Music:
Alexander Neef plans an innovative approach to keep audiences happy, even as he works to stem financial losses.
The New York Times – Music:
Human complexities to take center stage in new productions of classics, including works by Strauss and Britten.
The New York Times – Music:
The superstar soprano, whose past support of the Russian president cost her many engagements after the invasion of Ukraine, said in a statement that she was not “allied with any leader of Russia.”
The New York Times – Music:
The company’s revival of “Eugene Onegin” gives the lie to the Russian president’s claim that his country’s composers are suffering in the West.