The New York Times – Film:
The Oscars slate this year is packed with films rooted in historical events and biographies. How much influence should the subjects have?
The New York Times – Film:
The Oscars slate this year is packed with films rooted in historical events and biographies. How much influence should the subjects have?
The New York Times – Film:
“The Day After Trinity,” made available without a subscription until August, shot to the top of the Criterion Channel’s most-watched films.
The New York Times – Film:
Christopher Nolan’s complex drama depicts the development of the nuclear bomb and midcentury political machinations. Here’s the back story.
The New York Times – Film:
The biopic director argues that the physicist who oversaw creation of the atomic bomb was both the most important person who ever lived and hopelessly naïve.
The New York Times – Film:
Martin Sherwin struck the deal and dove into the research. But it was only when Kai Bird joined as a collaborator that “American Prometheus” came to be.
The New York Times – Travel:
The Southwestern state was central to the development of nuclear weapons. When the testing ground for the first detonation recently reopened for visitors, a writer decided to confront that difficult history.