The New York Times – Film:
The film is the equivalent of a semifinalist in the song, score and sound categories. “Killers of the Flower Moon” also landed on several lists.
The New York Times – Film:
After an awkward MeToo hiatus, ‘May December’ and other films are showing intimacy in messy, complicated ways again.
The New York Times – Film:
The Korean American drama from Celine Song got four nominations, while Swift’s concert film got one. “The Color Purple” was overlooked for best musical.
The New York Times – Fashion & Style:
OK, some might be more Styles-ish than stylish. But all commanded attention this year.
The New York Times – Film:
It was a terrific year for film, whether art house or mainstream, even if the main subject the movies wrestled with was deeply pessimistic.
The New York Times – Film:
It was a terrific year for film, whether art house or mainstream, even if the main subject the movies wrestled with was deeply pessimistic.
The New York Times – Film:
Yes, it’s a film about a famous middle-aged scientist. But it also captures the primal dissonance of being a young woman.
The New York Times – Film:
The delay of some big titles, like “Dune: Part Two,” has ramifications for coming releases like “May December” and “Killers of the Flower Moon.”
The New York Times – Film:
It’s been an epic matchup, but it’s time to declare a victor. We devised nine super-scientific tests to determine whether “Barbie” or “Oppenheimer” rules.
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