The New York Times – Music:
Deborah Warner, known for directing theater and opera, succeeds Pierre Audi, who died last year. Her own work is expected to be part of her programming.
The New York Times – Music:
Deborah Warner, known for directing theater and opera, succeeds Pierre Audi, who died last year. Her own work is expected to be part of her programming.
The New York Times – Music:
“The Faggots and Their Friends Between Revolutions” is a music theater piece based on Larry Mitchell and Ned Asta’s 1970s book.
The New York Times – Music:
Georg Friedrich Haas has written a piece of almost ridiculous scale and complexity. The effect is awe-inspiring.
The New York Times – Music:
Pene Pati made his New York recital debut at the Armory with a program that showcased his voluptuous voice and revealed a chamber musician’s sensitivity to nuance.
The New York Times – Music:
The production will make its transfer unusually fast, with an opening set for April 24, just 29 days after it wraps up a sold-out run at the Park Avenue Armory.
The New York Times – Music:
This narrative dance musical, set to Sufjan Stevens’s album, is a coming-of-age story and a meditation on death, love, community, politics and zombies.
The New York Times – Music:
The Armory’s upcoming season also includes the North American premiere of ‘Inside Light.’
The New York Times – Music:
Kate Lindsey, accompanied by the pianist Justina Lee, programmed cycles of life, love and creation by Schumann and Fauré.
The New York Times – Music:
At the Park Avenue Armory, an imaginative and viscerally shocking staging of Schubert songs from the director Claus Guth and the tenor Jonas Kaufmann.