The New York Times – Film:
The film, from the Romanian director Cristian Mungiu, explores the tension between religious conservatism and social liberalism. The award closed a festival that felt comparatively muted to many.
The New York Times – Film:
The film, from the Romanian director Cristian Mungiu, explores the tension between religious conservatism and social liberalism. The award closed a festival that felt comparatively muted to many.
The New York Times – Film:
Payback is bloody, according to this month’s selections, which include Park Chan-wook’s Vengeance Trilogy.
The New York Times – Film:
When American studios wouldn’t back his film about a laid-off manager committing gruesome murders, the director returned to Korea. Now he has a hit on his hands.
The New York Times – Film:
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
The New York Times – Film:
Park Chan-wook, the director of “Oldboy” and “The Handmaiden,” brings comedic flair to the cruel tale of an employee pushed to the brink.
The New York Times – T Magazine:
From Washington to Hollywood, American culture is now defined by score settling. But what do centuries of feuding have to teach us about getting even?
The New York Times – Film:
The German-language movie received 14 nods and will compete for best film against the likes of “Everything Everywhere All at Once” and “The Banshees of Inisherin.”
The New York Times – Film:
Park Chan-wook’s latest, about a forlorn detective falling for his beautiful suspect, is an exuberant, destabilizing take on a classic film noir setup.
The New York Times – Film:
Movies from Park Chan-wook, Lukas Dhont and Hirokazu Kore-eda could be what academy voters are looking for. But don’t count out “Top Gun: Maverick.”